Capturing Budapest in Black and White: A Timeless Journey

Budapest, a city rich in history and architectural grandeur, reveals a unique charm when viewed through black-and-white photography. The interplay of shadows and light highlights the intricate details of its iconic landmarks, creating a timeless visual narrative. In this blog post, we'll explore the essence of Budapest in monochrome.

The Soul of Budapest

Budapest, often called the "Paris of the East," boasts a diverse range of photographic opportunities. From the Gothic spires of Matthias Church to the grandiosity of the Parliament Building, each structure tells a story. These stories become even more profound in black and white, emphasizing textures and contrasts that color might otherwise overshadow.

Key Spots to Capture

1. Fisherman's Bastion: This neo-Gothic terrace offers panoramic views of the city. Early morning or late afternoon light enhances the shadows, making for dramatic compositions.

2. Chain Bridge: The suspension bridge, illuminated against the night sky, transforms into a monochrome study of geometric patterns and reflections.

3. Buda Castle: The historical castle complex, with its rugged walls and sweeping views of the Danube, presents countless opportunities for capturing the essence of Budapest's past.

4. Great Market Hall: Inside this bustling market, the play of light through the iron framework creates dynamic scenes, perfect for black and white.

Why Black and White?

Black-and-white photography strips away the distraction of color, allowing you to focus on composition, form, and emotion. It highlights the stark contrasts and subtle nuances that define Budapest's architectural and cultural heritage. Whether it's the bustling streets or serene riverbanks, the absence of color invites viewers to engage more deeply with the image.

Our 10-Hour Black and White Workshop

In our workshop, we delve into the techniques that bring black-and-white photography to life. Over the course of 10 hours, we'll cover:

• Understanding Light and Shadow: Learn how to use natural and artificial light to create compelling black and white images.

• Composition Techniques: Discover the rules of composition and how to break them for creative effect.

• Storytelling and Street Photography: Capture the essence of Budapest through powerful narratives and candid street shots, honing your skills in creating compelling visual stories.

• Architectural Photography: Learn to photograph Budapest's stunning architecture, emphasizing structural details and artistic elements to create impactful black-and-white images.

Join Us

If you're passionate about photography and eager to explore Budapest in a new light, our workshop is the perfect opportunity. Whether a beginner or an experienced photographer, you'll gain valuable insights and techniques to elevate your black-and-white photography.

The Timeless Charm of Black and White Photography in Venice

Venice, a city of vibrant colours and bustling life, is often captured in vivid hues. However, when stripped of colour, its true essence emerges more profoundly and timelessly. Black and white photography in Venice offers a unique lens through which we can explore this historic city, revealing its soul and eternal beauty.

The Magic of Monochrome:

In a black-and-white world, Venice transforms. The absence of colour draws attention to the play of light and shadow, the textures of ancient buildings, and the reflections dancing on the canals. The contrasts become more pronounced, allowing us to see Venice through a different perspective – one that is steeped in history and nostalgia.

Capturing the Essence of Venice:

The challenge in black-and-white photography is to convey the city's essence without the allure of colour. This means focusing on composition, texture, and tonal contrast. The intricate details of Venetian architecture, from the ornate facades of palaces to the worn-out steps of a secluded bridge, all tell a story that is best expressed in grayscale.

The Timelessness of Film Photography:

While digital cameras offer convenience and flexibility, there is something inherently romantic and authentic about capturing Venice on film. The grain, the anticipation of developing your shots, and the organic feel of film photography add a layer of depth and timelessness to the images.

Venice Through the Eyes of a Photographer:

In my workshops, I guide photographers to see beyond the obvious. We explore the narrow alleys, the less-travelled canals, and the quiet corners of Venice. Here, away from the hustle and bustle, you can feel the city's heartbeat, and your photographs become more than just images – they become stories.

Conclusion:

Black and white photography not only captures the timeless beauty of Venice but also evokes emotions that colour sometimes cannot convey. It's about seeing the world in a different light and telling a story that resonates with the soul. Join me in this journey of discovery, where each frame is a love letter to Venice, written in light and shadow.

My Black and White Photography Workshop in Venice is here

Embracing the Monochrome Challenge on the Vibrant Island of Burano

As a photojournalist and fine art photographer who conducts workshops across picturesque European cities like Venice, Ljubljana, and Croatia, I constantly seek new ways to challenge my perspective and inspire the students who attend my sessions. One such challenge I recently undertook with Terry, a fantastic guest and a great photographer, was a black and white photography workshop in the heart of Burano, Italy's most colourful island.

At first glance, it may seem like a counterintuitive idea to focus on black and white photography in a place that is bursting with colour. However, the experience proved enlightening, allowing me and my students to delve deeper into the nuances of composition, texture, and contrast that are so critical to black-and-white photography.

During the workshop, we explored the island's quaint streets and canals, searching for scenes and subjects that would translate well into monochromatic images. Without the distraction of colour, we were forced to think beyond the obvious and consider how elements like light, shadows, and shapes could create a compelling photograph.

One of the most fascinating aspects of this challenge was the opportunity to understand what works and what doesn't in terms of black and white photography. We discovered that certain subjects lent themselves perfectly to a monochromatic treatment, while others lost their impact without the vibrancy of colour. This realization made us all more discerning photographers capable of making thoughtful decisions about when to use black and white versus color.

The vibrant houses of Burano, for example, seemed to lose their charm in grayscale. However, the intricate lacework the island is famous for took on a new life when captured in black and white. The play of light and shadow on the delicate patterns created a sense of depth and intricacy that may have been lost in a colour image.

Ultimately, the black and white workshop challenge in Burano proved to be an enriching experience for all of us. It pushed us to think more critically about our photographic choices and helped us better understand the art of monochrome photography. While it may have seemed like a crazy idea initially, the results were nothing short of fantastic. I encourage every photographer to consider taking on a similar challenge to expand their horizons and hone their skills!

Ljubljana in Monochrome Exhibition

Ljubljana in Monochrome Exhibition. opening in Krizevniska, Ljubljana

December 23rd at 6pm

My Photozine is for sale here https://www.msecchi.com/photo-zines/ljubljana-in-monochrome

How To Create Moody Monochrome Landscapes

Moody monochrome landscape photography is an art. With just a change in how you see the landscape, through your eyes and through the camera lens, you could get some great black and white photos of the outdoors. This article will give you tips on how to capture those magical moments for making the best out of all kinds of outdoor photography. We will look at techniques, equipment, and other important factors for creating timeless masterpieces in monochrome.

Monochrome photography is one of the more challenging types of photography to master. Even with the right gear, it can be difficult to get the proper depth of field that helps create a moody and compelling image. In this blog post, I'll share my tips and tricks for shooting in monochrome, so you can learn how to create your own moody landscapes in no time.

Monochrome photography can be a great niche for your e-commerce photography business. It's not very common to see monochrome product photography, and people often have a hard time imagining what it looks like. But monochrome is a versatile and interesting style that lends itself to a variety of photographic applications.

The most striking thing about monochrome images is their simplicity. There's no color to distract you from the subject. Whether it's a person or an object, all you see is black and white, which makes it easy to imagine the subject as it really is — something quite different from the way you perceive it in colour.

Monochrome pictures tend to be gloomy and serious, but they can also be quite cheerful. In fact, one of the benefits of shooting in monochrome is that you don't have to choose between warm tones and cool tones, because there are no warm tones at all. Any colour tone in the scene will look good with black and white, so you don't have to worry about "matching" one tone with another.

Black and White is an effective strategy to create your own style. When shooting in monochrome, the composition is the most important aspect of a photo. It's not about whether you use colour or not, it's about how you see the world as a photographer and how you capture that vision with your camera.

Tone and mood are very important when shooting in black and white because it changes the way people perceive a scene. For example, if your goal is to create a dark and moody atmosphere, then different elements need to be emphasized within your frame.

Below are some tips to achieve this particular look:

Forecasts that include the proportion of cloud and rain, the wind speed and direction, and the temperature become crucial. A forecast indicating a 50% chance of rain and a wind speed of 15 to 20 miles per hour can be encouraging. Essentially, seek out sunny spells punctuated by periodic showers.

Clearing (or approaching) storm clouds against a deep blue sky with dark patchy shadows scudding across the terrain are photographers' dreams, yet such dramatic settings come at a cost. By definition of desiring storm clouds, the likelihood is that you may become wet, chilled, hit by hailstones, or perhaps snowed on, but trust me on this one, it will be worth it.

Days with fog, low clouds, rain or snow could be perfect for Black and White photography

The more contrast on an image, the darker it looks. If you have a lot of light areas in your photo, then it will tend to look brighter than if there aren't any bright spots in the image at all. Shadows can add a lot of contrast to an image, so if there aren't any shadows present in your scene, try adding them with artificial light sources or reflectors.

Because brightness values are inverted when converting from colour to black and white, you can use your camera's exposure compensation function (often found under the "manual" mode setting) to make scenes brighter or darker in post-processing.

Creating moody images is about creating drama, and you can do this with filters such as gradients. When you're shooting in monochrome, you can use these filters to darken a scene, by introducing more shadow. You can also use them to brighten a scene if you want more light contrast. One of the most popular monochrome filters is a three-stop graduated neutral density (GND) filter: these come in a circular shape and darken skies evenly. A six-stop GND filter is also available, which allows you to darken skies even more. Another popular filter for landscapes is an 81B warm-up filter; this adds warmth to the sky, which can be useful when shooting in overcast conditions or at twilight.

Possibly the best-known software for creating black & white images is the superb Nik Silver Efex Pro. It is a very creative and powerful program with many presets but it too has its limitations. It can be a very aggressive piece of software so you need to check your images carefully for any deficiencies and imperfections that it may create.

Taking a B&W photo means choosing which colours are important enough to preserve and which ones to discard. This isn't hard if you're taking a picture of something like a red barn with a blue sky behind it. The blue sky is irrelevant and the red barn becomes the subject of the photo. But take a landscape photo where every detail is equally important — for example, an image shot in soft light with a lot of subtle colours — and you'll have a lot more decisions to make about what stays and what goes.

Black and white photos appear timeless because they work with the viewer’s imagination. You see the value of a black and white photo very quickly and easily, while color often distracts us. The fact that no one has created the same image before you will free you up to create your own vision.

Irén in Velemér Orseg

Irén lives in Velemér, where she was born in the early 1930s.

Her parents built the house where she now resides between 1945 and 1956 with a great deal of love, care, and attention. In addition to Irene's love of pastel colours, most details can still be seen today.

During a wedding reception in 1956, she met Sándor, her future husband, for the first time; he had only recently returned to the area after working away in Budapest for several years. As a result of his inability to find work, his friends advised him to relocate away from the neighbourhood.

His family had, in fact, suffered as a result of Communism's repression. They had been evicted from their home and their land during the years of the "kolkhoz," a farming cooperative set up in rural areas of Hungary at the time of Soviet Union occupation.

When they were younger, they farmed their land and kept some animals, including everything from cows to pigs to chickens. Irén has fewer chickens now, but she still has a fantastic vegetable garden, which she lovingly tends to every day.

She is a mother, grandmother and great grandmother, and three generations live nearby.

Not to mention she knows how to brew an excellent coffee!

PS to read more about communism in rural areas I suggest :

Gergely Krisztián Horváth COMMUNIST AGRICULTURAL POLICY AND THE FIRST WAVE OF COLLECTIVISATION IN HUNGARY

Hungarian 🇭🇺

Irén Velemérben él, ahol az 1930-as évek elején született.

A házat, amelyben él, a szülei építették 1945 és 1956 között sok-sok szeretettel, gondossággal és figyelmességgel. Az eredeti kialakítás részletei még ma is láthatók Irén pasztellszínek iránti rajongása mellett. 

1956-ban egy lakodalomban találkozott először Sándorral, a jövőbeli férjével, aki csak nemrégiben tért vissza a környékre, miután éveken át dolgozott Budapesten. A barátai ajánlották neki, hogy költözzön el a környékről, mert itt nem tudott munkát találni.

A családja a kommunista elnyomás áldozata volt. Ki lettek lakoltatva az otthonukból és a birtokukról a „kolhoz” idők alatt. A kolhozok mezőgazdasági szövetkezetek voltak Magyarország vidéki területein az orosz megszállás idejében. 

Amikor fiatalabbak voltak művelték a földjüket és számos állatot tartottak a tehenektől és a disznóktól kezdve a csirkékig. Irénnek már csak néhány csirkéje van, de van egy csodálatos zöldséges kertje, amelyet minden nap szeretettel gondoz. 

A családjának három nemzedéke él a közelben, akiknek anyja, nagyanyja és dédnagyanyja.

Ráadásul kiváló kávét tud főzni! !

Slovenian 🇸🇮

Irén živi v Veleméru, kjer se je rodila v zgodnjih tridesetih letih prejšnjega stoletja.

Hišo, v kateri zdaj prebiva, so njeni starši zgradili med letoma 1945 in 1956 z veliko ljubezni, skrbi in pozornosti. Poleg Iréninega navdušenja nad pastelnimi barvami je še danes mogoče videti detajle prvotnega oblikovanja.

Leta 1956 je na svadbi prvič srečala Sándorja, svojega bodočega moža, ki se je šele pred kratkim vrnil na to okolico, saj je pred tem kar nekaj časa delal v Budimpešti. Prijatelji so mu svetovali, naj se preseli iz soseske, ker ni mogel najti delo.

Njegova družina je bila žrtev komunistične represije. V letih »kolhozov«, kmetijskih proizvajalnih organizacij, ustanovljenih na podeželskih območjih Madžarske v času ruske okupacije, so jih izselili iz njihovega doma in posesti.

Ko sta bila mlajša, sta obdelovala svojo zemljo in gojila številne živali, vse od krav in prašičev pa do kokoši. Irén ima zdaj le manjše število kokoši, ima pa še vedno fantastičen zelenjavni vrt, za katerega z ljubeznijo skrbi vsak dan.

Je mama, babica in prababica, v bližini živijo tri generacije njene družine.

Povrhu vsega zna skuhati odlično kavo!

Check Örsegi page here

Ljubljana Photo Zine

Ljubljana in Monochrome is a photo zine in black and white inspired by the Slovenian capital, which is also known for its unique vivacity and marble beauty.

This place has been a home to people from every part of the world therefore, all those different ways of living are reflected in the city's lively streets, open-air markets and small cafés.

The Ljubljana monochrome edition is my photographic interpretation of one of the most diverse cities in Europe, offering a fresh perspective on an old acquaintance.

• - 52 pages

• - 14cm x 20cm

• - 28 black and white digital photographs

• - Limited Edition Item

• - Signed and numbered

You can get it here

Rural Life in Monochrome

Rural areas have a low population density and small settlements, also agricultural areas are commonly rural, as well as other types of areas such as forests.

Different countries have varying definitions of rural for statistical and administrative purposes……but no matter where the style of life is very similar

Rural living offers the opportunity to reconnect with nature. More trees and less traffic means cleaner air. Fields, forests, and streams make for great outdoor living and a healthier lifestyle

Advantages

• More privacy. In the countryside there’s a good chance your nearest neighbour won’t be directly next door. You may not even be able to spot their home at all.

• You can have a bigger garden. If you’ve always wanted to grow your own food or have more space for children or pets, this is a huge benefit.

• You’ll be able to own pets you may have always wanted but couldn’t have owned in a city or town. Cows, llamas and horses are all examples of these. You could even keep hens and have your own free-range eggs.

• You’ll be closer to the various wildlife of the area and to walks in areas of natural beauty.

• City-dwellers usually suffer higher levels of stress than those who commute in for work or live and work in the country. There is a reason living and working in a city is called “the rat race”. By decreasing the number of people surrounding you, you could become more relaxed.

• You can be fully, or semi self-sufficient. You could grow your own food. If you do decide to keep animals, you may also be able to sell produce from them (milk/eggs/honey) to create a small income.

Disadvantages

• If you have children of school-age, they might be faced with a longer journey to school, whether they walk, take the bus or get a lift in.

• Shopping can become an inconvenience. This may not seem all that important, but staples that are purchased a couple times a week, such as milk and bread, may be further than just a 2 minute trip down the road.

• There may be limited job opportunities, unless you already have a job nearby or if you commute into a town or city.

• Television and Internet connectivity could be weaker or patchy in more rural areas.

• During the winter months, nearby roads might not be in the best shape or not be as well maintained as urban roads.

• Trade services, such as a mechanic, are harder to find. In urban areas, if you have car trouble you can make do with a local taxi or bus until it’s fixed. Services like these are scarcer in the countryside, leaving you with limited options.

• Entertainment and eateries may be further away, which involves more time, a higher expense and extra planning.